27 Eylül 2012 Perşembe

Opera in the Park 2012

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This year's edition of San Francisco Opera's free Sunday afternoon concert in Golden Gate Park was exquisite. The weather was beautiful, the music good, and the dozen singers excellent to fabulous. Even General Director David Gockley's plummy-voiced introductions were brief and to the point.



The SF Opera supernumeraries usually have their own large blanketed posse area close to the stage, headed by Sally Warren and Irene Bechtle who would show up early to snag the space, but they were nowhere to be seen this year. This meant there were beautiful strays such as Jenny Jirousek above wandering around looking for their gang who didn't seem to have shown up.



We arrived late for the concert, just as baritone Joo Won Kang was singing the Di Provenza il Mar aria from Verdi's La Traviata. Though it was hard to tell through the speaker system and wind, the aria sounded spectacular. Also taking top honors were the opening night Rigoletto stars Aleksandra Kurzak, Željko Lu�ić and Andrea Silvestrelli singing Una Voce Poco Fa from The Barber of Seville, a tragic aria from Verdi's Un Ballo in Maschera, and The Slander Aria La Calumnia from The Barber of Seville, respectively.



We were also homeless without Irene and Sally, so we found a spot of lawn near the back at the edge of the pavement walkway which provided some fascinating people watching. When we arrived, I asked a middle-aged woman if I could borrow her program, and she hissed, "You can buy them over there!" while pointing at a San Francisco Chronicle tentlet on the periphery. Thirty seconds later, the young woman above handed me her program with a smile, and in exchange I shared our bottle of white wine. She and her boyfriend were from Zurich, and she was doing research for her PhD thesis about English usage between different generations in San Francisco's Chinatown.



After intermission an open space was grabbed by the gay man above with his two little dogs and his two female friends, and they started jabbering in the most banal way imaginable through the rest of the concert. When the music became louder, their voices would do the same as if they were at a dance club, thoroughly missing the point of the afternoon. Not wanting to make a scene, or commit murder, or listen to Puccini, we left early, still vibrating with the loveliness of the day.

Creative Impact with Cindy Shermal

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The new signage at the front of the Asian Art Museum is subdued, colorful and beautiful.



On Thursday evening Creative Impact, a newish organization combining professionals from arts nonprofits in the Bay Area along with arts educators, held their third annual networking shindig at Samsung Hall at the museum.



There were harried parents, a few cute costumed kids, earnest educators, government bureaucrats, and arts administrators all thrown into one room which could have been awful but was instead charming.



It was worth attending if only to see Rhodessa Jones in her red hat, posing above with the Bayview singer Martin Luther McCoy.



Part of the pleasure was that the event was a catered affair, with simple but delicious food, and there was also free wine. Quentin Crisp would have been seriously pleased. Plus, you didn't really have to listen to any of the boring speeches from the stage if you kept your voice down. There were plenty of smart, fascinating people to talk with, such as (left to right above) Lucy Lin, Interim Program Director at the SF Arts Commission, Christina Lim who is the Director of Education among many other duties at San Francisco Performances, and Charles McNeal of the San Francisco Ballet.



It was an interesting cross-pollination among people interested in playing creatively with art amongst children.



After the speeches, there was a variety of entertainment, including the talented student-recently-turned-professional tenor Brian Jagde above, singing the famous Act 3 aria from Puccini's Tosca, which he will be performing at the San Francisco Opera in November and December. Having recently decided that I am not going to hear, see or participate in another Tosca ever again, this was close to a cue for exiting.



The most publicly valuable manifestation of this initiative is a wide-ranging web calendar of various arts events that overlap with education, and it is already a fascinating compendium (click here). However, they are featuring my favorite typo in some time, advertising an event at SFMOMA on Saturday the 15th called Cindy Shermal Special Saturday for Teachers. It will be hard to look at any Cindy Sherman signage after this without pronouncing the name as Cindy Shermal and thinking, "they must have changed it at Ellis Island."

Diez y Seis de Septiembre

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Saturday afternoon, the 15th of September, chairs and tentlets and a small stage were assembled at Civic Center Plaza in front of City Hall.



According to the gentleman from the Mexican consulate above, this was part of a global celebration of Mexican Independence Day, which is on the 16th of September rather than Cinco de Mayo which is more of a gringo drinking day than a historically significant date in Mexico.



The consular official encouraged a return later in the evening when there would be entertainment.



On the way back, I ran into my favorite fast food worker from the Financial District above, and he graciously stood for a photo in his Billabong jacket.



Happy birthday, modern Mexico, and a happy birthday to the writer Michael Nava who is currently composing a series of novels about that country and its intersections with the United States, along with its politics, history, religious traditions, and art. It's a very rich stew.

Democrats in the Castro

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San Francisco's Democratic Party headquarters opened in the Castro Saturday morning in the old Tower Video location next to Cafe Flore on Market Street.



All the usual suspects were there, including John Burton above, and Nancy Pelosi and even people you wanted to see like Jane Morrison (click here for a wonderful photo from Jan Adams of Pelosi wading into the crowd to greet the 90-year-old-plus Morrison).



San Francisco is a one-party town which breeds corruption almost by definition. The latest iteration of that age-old story of idealistic politician who crosses over to the Dark Side is Christina Olague above. It seems she was once a left-wing Latina bisexual stalwart in the corridors of power, and has publicly become another in a long line of Willie Brown's enablers. It's been depressing to witness, from her participation in the bogus Run, Ed, Run campaign for Ed Lee's mayoral coronation, to her open, happy embrace of campaign cash from Willie and Rose. According to the SF Examiner, Willie is hosting a fundraiser at the Ferry Building this Friday for Ms. Olague, probably as a very public quid pro quo for her recent 8 Washington project vote. In an interview subsequent to that vote, she told her own (appointed) district voters that their views were not going to sway her when there was serious idealistic campaign moolah at stake. I hope the voters of District 5 kick her to the curb in November. She more than deserves it.



Just as sad is the new District 8 Supervisor Scott Weiner above, who has never heard of a property right he doesn't instinctively feel is sacred. The latest crusade for this priggish Savonarola is to combat the horrors of nudists who have claimed the intersection of 17th, Market and Castro as their own. He's a sad evolutuion for the San Francisco gay community, and longtime Willie Brown enabler Bevan Dufty unfortunately laid the trail.



I asked Rafael Mandelman (above left) why he was running for the Community College Board when they were in the middle of such a shit storm over finances and accreditation. "They are a valuable institution. And it's going to get better," he replied, simply, and I believed him. It's too bad that Mandelman doesn't really seem to enjoy campaigning which is part of the reason we're stuck with Weiner in District 8 when Mandelman would have been a so much better alternative reality. Do vote for him this November and maybe we can start creating that reality.

Castro Nude-In

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On a gloriously beautiful Indian Summer Saturday noontime, the Third Annual Nude-In occurred at the intersection of Market, Castro and 17th Streets.



One of the most central and well traveled of all the parklets that have sprung up on San Francisco streets over the last five years, there were fears that the tables and benches would be taken over by the homeless, but instead it was a group of "naturists," as they call themselves, who have made the small intersection their own.



This has involved mild controversy, fueled by District 8 Supervisor Scott Weiner, who seems to take the presence of the Naked Guys personally. He is joined in this feeling by plenty of his constituents who don't want to look at mostly middle-aged naked men on their way to the hardware store.



Who does want to see them, though, are the tourists. Every town and city now has its own gay ghetto so the Castro District is boring, but naked people sitting and standing around casually on a busy street in the middle of the day is not something they are going to be seeing in Peoria.



Plus, the Historic F Line Streetcars start in Fisherman's Wharf these days and end in the Castro, and none of the tourists are being warned that they are going to see a bunch of Nude Dudes at the end of their ride.



The San Francisco Visitors and Convention Bureau should be paying these guys, because the amazed, surprised reaction from the disembarking tourists is priceless.



Saturday's Third Annual Nude-In was a protest of sorts against the recent police harassment and proposed anti-nudist legislation from Weiner. A number of beautiful young people like the gentleman above showed up in naked support of the Nude Dudes, and so did a trio of women.



My friend Jay above had flown in from Long Island the evening before, and when I told him about the event, he was thrilled. He spent much of his career being a closeted gay who worked for a Republican town bureaucracy while simultaneously skinny dipping in the Atlantic Ocean his entire life. He stripped down immediately at Castro and Market at noon, and had a great time talking to everyone.

26 Eylül 2012 Çarşamba

London Philharmonic about to begin their 80th Season

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80 years and still going strong


The London Philharmonic Orchestra’s 80th anniversary season opens next week! We begin the 2012/13 season with a diverse series of performances ranging from the dark theatrics of Strauss and Zemlinksy, spell-binding Russian bells, thought-provoking explorations of War & Peace, soulful cello concertos and brand new work from Carl Vine.


Upcoming Events

26 September – Strauss & Zemlinksy

Love, infidelity and scorn abound in Zemlinksy’s A Florentine Tragedy, inspired by Oscar Wilde’s play and Zemlinsky’s own embittered feelings towards former lover Alma Schindler. Greatly influenced by Richard Strauss, Zemlinksy’s colourful and gritty one-act opera is complemented by excerpts of Strauss’s own Die Frau Ohne Schatten.


29 September – Rachmaninoff The Bells

An all-Russian programme of bell-inspired works, two also inspired by the poetry of Edgar Allen Poe. Featuring UK premieres of Rodion Shchedrin’s Concerto for Orchestra No. 2, Denisov's Bells in the Fog and Miaskovsky’s Silentium alongside Rachmaninoff’s passionate choral symphony The Bells.


3-5 October – War & Peace

Vladimir Jurowksi leads a poignant mini-series centring on the theme of War & Peace, including works by Britten, Prokofiev, Tchaikovsky, Walton, Vaughan Williams and Shostakovich. We begin this powerful series with excerpts from Prokofiev’s War and Peace, Walton’s Viola Concerto and Britten’s ‘plea for peace’ Sinfonia da Requiem.


12 October – Prokofiev, Elgar & Sibelius

Cellist Sol Gabetta joins the LPO to perform Elgar’s famous Cello Concerto in an evening of highly-tuned musical emotions, also featuring Prokofiev’s Classical Symphony and Sibelius’s aspirational Symphony No. 2.


Kronos Quartet calls for composers under 30 - any genre or country

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Kronos Quartet Announces KRONOS: UNDER 30 PROJECT / #5

Commissioning program includes mentoring, residency, premiere, + recording


Deadline for applications is November 16, 2012

The Kronos Quartet/Kronos Performing Arts Association is pleased to announce the fifth edition of its Kronos: Under 30 Project, a comprehensive commissioning and mentoring program for young composers under the age of 30. Launched in 2003, the Under 30 Project is designed to help nurture the careers of emerging artists, while enabling Kronos to forge stronger connections with the next creative generation.


To date, four composers have received commissions through the Kronos: Under 30 Project. Nearly 1,000 applications, coming from 49 countries on six continents, have been personally reviewed by the quartet. From this year’s call for applications, Kronos will select the composer to whom they feel most artistically committed. That composer will be commissioned to write a new work for Kronos in close consultation with the ensemble. He or she will meet with Kronos, and prepare the piece during a residency with the group at their home base in San Francisco. The resulting work will premiere in Spring 2014 in San Francisco as part of Kronos’ 40th anniversary season, and will also be recorded.


Kronos: Under 30 Project is not a contest, and all composers who have not reached the age of 30 by the application deadline, November 16, 2012, are eligible to submit music for consideration, regardless of nationality. The selected composer must be able to complete the new work by December 2013. An application and guidelines can be downloaded here; questions about the program can be addressed to under30@kronosquartet.org.


During the past 10 years, four composers from three different countries – Alexandra du Bois and Dan Visconti (USA), Felipe Pérez Santiago (Mexico), and Aviya Kopelman (Israel) – have been commissioned. The artistic relationships established through the Under 30 Project have been invaluable, and these commissioned works have been championed by Kronos in major venues all over the world.


Applications should be sent to Kronos: Under 30 Project, 1032 Irving Street, #603, San Francisco, CA 94122-2200, U.S.A, and must be received by November 16. Note, this is not a postmark deadline.


David Harrington, Founder & Artistic Director of Kronos Quartet, says, "The Under 30 commission has been very important for Kronos. We’ve established new relationships, we’ve found 4 wonderfully creative young composers, and they’ve written marvelous pieces for us. For Under 30 #5, we hope to have some of the most creative composers from all over the world send us their music. It doesn’t have to be string quartet music – it could be a song, it could be a symphony, it could be a solo electric guitar piece – because the process we’ve used for these last 38 years has to been to ascertain the creativity embodied in someone’s work.”


Kronos: Under 30 Project / #5 is supported by Hancher at the University of Iowa, Syracuse University, the Board of Directors of the Kronos Performing Arts Association, individual backers of the Kronos: Under 30 Project / #5 Kickstarter campaign, and Kronos Performing Arts Association. Additional partners will be announced in March 2013.